A hand carving a green and white pot

About Sgraffito

Sgraffito (from the Italian for “scratched,”) is a surface decoration technique in which clay is covered with one or more layers of colored slip. A design is then scratched or carved through the upper layer, revealing the color below. There is a long history of sgraffito work dating back over a thousand years.

For my sgraffito work, I generally begin with a white clay body, which I paint with underglaze or slip once the clay is firm and partially dried. I use a variety of commercial, homemade, and repurposed tools, including specialized, small carving tools, dull pencils, abrasive-tipped styluses, and soft brushes. With these I to scratch and carve my designs through the surface layer, beginning with a light sketch, then carving lines and details, and finally scraping away larger areas. I finish my sgraffito process by brushing away crumbs, smoothing edges, and touching up the painted surface as needed.

After the piece has fully dried and been through an initial bisque firing, I apply glaze to the piece, using a clear or translucent glaze over the sgraffito portion to show the design. The work then has its final firing, and once the kiln has cooled, the finished pot emerges.

I work in sgraffito for its capacity to accept anything from the finest of details to the boldest of images. In the past I’ve been drawn to relief printmaking techniques such as woodcut, linocut, and wood engraving. By carving my designs on clay, I’m able to incise these types of two-dimensional images into the textured surfaces of three-dimensional objects. I draw much of my inspiration from geometric and repeated patterns, automatic drawing techniques, and the varied forms of flora, fauna, and fungus.

Wood-Fired Pottery →